Perhaps anticipating the passiveness of his audience, K.R.I.T. still hasn’t decided whether he wants to play around all the time or not, but he flows the same regardless of whether he’s “Talkin Bout Nothing,” which is perhaps the most immediate, entertaining song on a tape full of high-octane anthems, or waxing poetic about his lifestyle on “Meditate.” Thus, the more serious songs are first identifiable only through their hooks. Thankfully, my worrying proved to be for naught.
The delay seemed to be representative of prevailing immaturity, another obstacle between the King and his throne. follower in the first place- his songs were sometimes boring, he vacillated too much between conscious rap and trunk music- but after he systematically destroyed everybody involved with his verse on “1 Train,” it seemed like K.R.I.T. It’s not fair to expect perfect quality on a mixtape, but this proclamation imbued me with a sense of unease. The delays put on King Remembered In Time were slight, no more than a couple hours, but the rationale was worrisome nonetheless: Big K.R.I.T. It’s not often that an album delay legitimately worries me, but I was willing to make an exception for this one.
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